How to talk to your kids about the Capitol riots

first_img Bacow, Harvard faculty, students call for affirmation of American principles Related Psychologists find violence and trauma in childhood accelerate puberty The searing pictures of a weapon-wielding, pro-Trump mob storming the Capitol just over a week ago have been difficult for many adults to process. But for children, making sense of the violent images that have flooded the airwaves and social media in the days since the attack on that symbol of American democracy can be particularly challenging. Open and honest discussions are keys to helping children understand the events of last week said Richard Weissbourd, co-director of Making Caring Common at the Harvard Graduate School of Education (HGSE), an initiative focused on moral development priorities in child-raising. The Gazette spoke to Weissbourd, a psychologist and senior lecturer at HGSE, about ways to navigate the difficult topic with children of all ages.Q&ARichard WeissbourdGAZETTE: How can parents best start conversations about what happened last week?WEISSBOURD: I think that the place to start with kids is to ask questions like, “What have you heard? What are you thinking? What are you feeling?” It’s also important not to conflate how you might be thinking and feeling with their questions. Doing the work of understanding how you think and feel about this before entering in these conversations can be helpful too in guiding your kids. Also, many kids are going to feel unsafe. This was the temple of democracy, and it was supposed to be one of the most secure buildings in the country, and it was overrun by a mob. So young kids, in particular, might worry, “Is any place safe? Is my home safe?” So reassurances about security, finding out how children are making meaning of it, and being nimble enough to respond to them in ways that are really tuned in to how they feel, are all going to be important for parents in these discussions.I think a lot of kids also don’t want to be passive. They want to be active; they want to do something. This is a time when a lot of people are feeling very out of control, and so giving them something they can do that can help them feel some control or help them manage their feelings about this is helpful, whether that’s writing a congressperson or working on voter registration in your local community. For older kids, this is also a great time to talk about democracy, to explain that we are engaged in this brave and beautiful experiment in democracy, but that there’s nothing indestructible about it. We have to recommit to it every generation, and we really have to work to support it and those institutions that protect it.,GAZETTE: How do you start a productive dialogue when children may have conflicting views of what they have seen, or have been told different things by parents or other adults and caregivers?WEISSBOURD: I think it’s important to talk to kids about not demonizing the other side and engaging in wild stereotypes about the other side — the narrative that all Republicans are this, all Democrats are this. It’s important for children to understand that these large groups of people are motivated by many different things. I don’t mean those who were rioting. I mean the parties. It’s also a time to talk to older kids in particular about our information bubbles, and how, in many respects, we have lost a shared reality. People are hearing very different kinds of news and that means in many cases they have a different set of facts, a different reality they’re operating under.There is also this issue of critical thinking and being able to disentangle facts from fiction. There’s a need for a conversation with kids about what constitutes an accurate news source and the importance of the truth and how truth is the basis of trust in our democracy. I think this is a great opportunity to talk about that and also to be a co-investigator with kids, to do research together to determine what the truth is if it’s unclear.GAZETTE: Can history be a guide to some of these conversations?WEISSBOURD: I think history is also important in understanding the political divide. This is not the first time our country has been deeply divided. There have been brawls in Congress; there’s been a Civil War; there’ve been times in our history when the electoral system broke down. Bringing in the historical context is important in part to help kids realize that we have prevailed in the past but that there is so much injustice that still needs to be overcome.GAZETTE: People have pointed out that the Black Lives Matter protesters were treated much differently than those who violently attacked the Capitol. How can adults address that in their conversations with kids? Childhood trauma can speed biological aging Concern over storming of the Capitol WEISSBOURD: This is a crucial opportunity to talk about race and racism, and to point out that with the Black Lives Matter protesters, there was much more security at the Capitol and to discuss that. It’s an opportunity to talk about how racism is embedded in systems and in our culture, about the importance of being alert to it and the importance of challenging it in both systems and in ourselves. Many young people are very attuned to these issues, and young people and adults can learn a lot from these conversations. Understanding the history of racism in this country is vital context for these discussions.GAZETTE: Is there an age that is too young to discuss these types of topics?WEISSBOURD: When kids are 3, 4, 5 years old, and younger, obviously, I don’t think you need to raise the topic, but that doesn’t mean that they might not have questions about it. They may bring it up because they may have heard something about it from an older sibling, from a friend, or seen something on TV. So there’s reason to be prepared to talk to younger kids about it. For older kids, I think mentioning it to them and trying to unearth how they’re thinking and feeling about it is important and being guided by them in terms of the kinds of questions they have. Sociologist Aaron Antonovsky talks about the need to make trauma comprehensible, manageable, and meaningful. This is a national trauma, and so all of us, children and parents included, need to wrap our minds around this and make sense of it in some way and make sense in a way that allows us to go forward constructively.GAZETTE: How can teachers approach these conversations?WEISSBOURD: Almost everything I said applies to schools. I think that principals have very tough decisions to make about this, because there are some parents who don’t want politics discussed in schools at all. And they particularly don’t want anything that smells like indoctrination. And so part of this has to be an examination of what is core to our mission in educating students. Understanding the truth and why it’s important is at the heart of education and at the heart of preparing young people to be engaged citizens. There are some political issues that educators may want to stay away from in schools because they’re very divisive; they’re hard to resolve; and parents have very strong feelings about them. But when a major event like this happens that reverberates throughout the country and that has such strong implications for your core purpose as a school, it seems to me you’ve got to talk about it.last_img read more

Munster on brink of Champions Cup knock-out place

first_imgRassie Erasmus has brought his in-form side to Scotstoun to face Glasgow in a crucial Pool 1 encounter.Munster were bonus point winners when the two sides met earlier in the competition, in a game which was Munster’s first since the death of Anthony Foley.Kick off in Scotland is at 5.30pm.last_img

Battling Annabel just misses out in Spain

first_img England international Annabel Dimmock underlined her fine form of 2014 by reaching the final of the Spanish women’s amateur championship at El Saler. The 17-year-old from Wentworth has already won this year on Florida’s Orange Blossom Tour – and, despite a battling performance, she just failed to secure her second victory of the new season, losing the Spanish title by 2/1 to Sweden’s Linnea Strom. The Swedish player was never behind during the match, but Annabel hung on tenaciously, despite twice trailing by three holes. Her fighting play reduced the deficit to just one hole after the 14th, but Annabel’s birdie on the 15th was bettered by an eagle from Strom who again took a two-up lead. It proved decisive when the 16th was halved in birdie threes and the short 17th in par. Annabel (image © Leaderboard Photography) had made her way into the final with victories over players from Spain, the Netherlands and two French opponents. Linnea Strom’s opponents on her way to the final included two other England internationals. She beat Gabriella Cowley (Hanbury Manor) in the second matchplay round and Alex Peters (Notts Ladies’) in the third. 2 Mar 2014 Battling Annabel just misses out in Spain last_img read more

People’s champ Woodland Hills knocks out Central Catholic at the Wolvarena

first_imgWith that in mind, each of Woodland Hills’ victories so far this fall has seemingly added to the notion that the Wolverines are back on top.Woodland Hills has already lowered the boom and knocked out the reigning WPIAL Class AAAA champion Bethel Park, 21-17. The loss ended Bethel Park’s 16-game winning streak against WPIAL competition and there should be no question after the Wolverines dominating performance against the Vikings.Weather played a part in the victory. The storm and steady rain made the football more difficult to handle and the Wolverines employed a low-risk running game that allowed Timbers to chop down the Vikings like he had an “ax to grind.”Timbers, who spent his freshman and sophomore years at Central Catholic, got his new team on the scoreboard first on a 10-yard touchdown run to give Woodland Hills a 6-0 lead.Central’s Matt MacZura kicked a 42-yard field goal to cut the lead to 6-3.In the second quarter behind the running of Timbers and 230-pound fullback Cameron Thompkins, who seems to salivate when he sees a defensive back that’s 50 pounds lighter trying to challenge him, extended the lead to 17-3 at halftime.The high-powered offense for the Woodland Hills varsity football team gets a lot of attention from its big offensive line led by Bruce Atkins, talented running backs and receivers.At the same time, the Wolverine defense, led by Richard “Bump” Gray, Julian Turner and Pitt recruit Khaynin Mosley-Smith, has made its mark this season.Damian Jones-Moore, who had averaged nearly 200 yards per game heading into the contest, was held to 81 yards on 18 carries.“All week we talked about getting 11 guys to the ball,” said “Bump” Gray, who had two quarterback sacks. “We came out hyped and played together. I want to win a championship.”Jones-Moore, the WPIAL’s second-leading rusher, is also a 4.0 student in the classroom, but it was Timbers who went to the head of the class.He scored three touchdowns and Woodland Hills outrushed the Vikings, 252-86.The Central Catholic team made the most of every possible opportunity to beat themselves against Woodland Hills.The Wolverines sacked quarterback Dave Smyers six times and caused three fumbles.“I came here to see Damian Jones-Moore,” said coach Jerry Stackhouse. “I coached him in midget football. He was a great player for the Beltzhoover Browns.”The most exciting play of the night was called back because of a penalty. Junior Lafayette Pitts has used his standout speed to burst onto the scene in recent weeks. He returned a punt in the third quarter 72 yards for a touchdown.Pitts is also a talented wide receiver and punter. He set a school record by booming a 67-yard punt in the first half.The win moved Novak into 10th place on the WPIAL’s all-time list of winningest coaches, passing former Kiski Area coach Dick Dilts. Novak is 235-117-1.Woodland Hills has great tradition. The Wolverines are one of six high schools in the country that have at least five graduates on NFL rosters this season including Ryan Mundy of the Pittsburgh Steelers.Now that Coach Novak has his running game in place and a slew of talented skill position players to complement him, the Woodland Hills offense that struggled so much last season is suddenly lighting up scoreboards.Timbers and his teammates’ relentless pursuit of a WPIAL title are trying to prove they are second to none. RELENTLESS—Dom Timbers of Woodland Hills ran through the rain for 162 yards and three touchdowns in a win over Central Catholic. Timbers rushed for 162 yards—his fourth consecutive 100-yard effort—and three touchdowns to lead Class AAAA No. 3 Woodland Hills 27-3 over No. 4 Central Catholic.Coach George Novak’s Woodland Hills football program has fallen upon some hard times recently.The four-time WPIAL Class AAAA champion Wolverines have not advanced past the first round of the playoffs since 2006 and have not returned to a Heinz Field title game since winning their last crown in 2002.To be the champs, the Wolverines will have to beat the champs. READING THE DEFENSE—Woodland Hills quarterback John Yezovich looks to pass against Central Catholic. Don’t look for Woodland Hills (4-1, 1-0) and Central Catholic (3-2, 0-1) to “friend” each other on Facebook anytime soon.These two powerhouse teams faced off at the Wolverena Friday night, Oct. 2, and it was time for Syracuse recruit Dom Timbers to make a statement.last_img read more

Three Hackers Arrested in Wake of DDOS Attacks

first_imgWhy Tech Companies Need Simpler Terms of Servic… Related Posts Tags:#NYT#Real World#web A Web Developer’s New Best Friend is the AI Wai… One of the more cringe-worthy stories to come out of the Wikileaks-Anonymous-DDOS plotline in the last few weeks is the lack of security practiced by just about everyone involved. Authorities found the name of a designer named Alex Tapanaris embedded in a PDF press release purporting to come from the hacker group Anonymous. His site was later inaccessible and he was said to have been arrested. Several other people were arrested, said to be allied to Anonymous, in the Netherlands. Their identities may have been ascertained because the LOIC (Low Orbit Ion Cannon) software used for the retaliatory DDOS attacks carried user information with it. In Holland, two teenagers, a 16-year-old and a 19-year-old, have been arrested. The first, from The Hague, was said to have been involved in Operation Payback. The second, Martijn Gonlag of Hoogezand-Sappemeer, was arrested for an attack, possibly related, on the Dutch attorney general’s website. The back-and-forth DDOS attacks from supporters, opponents and random extras, has created an environment of compromised security on each side. Perhaps this will point up how much those who believe themselves bulletproof have to learn. But just like any other fight, the instant people stop talking and start attacking each other, the discourse coarsens precipitously, and often permanently. Here are the DDOS attacks so far by target. curt hopkins Top Reasons to Go With Managed WordPress Hosting WikileaksVisa and MastercardAmazonPayPalWikileaksGawker (if this is related to the other, it’s oblique, but it’s often hard to tell which way the battle lines are pointing)PandaLabs Blog has a good timeline of these attacks.Some here at ReadWriteWeb have made the case that DDOS attacks are really a type of civil disobedience. Others see it as the beginning of a war. (I hold with those who favor fire.) If there’s anyone smart out there in either camp – pro-Wikileaks or anti-Wikileaks, pro-DDOS or anti-DDOS – they’d best do something to stop this before it gains such momentum that no one person can have an effect on it. Anyone who doesn’t will bear responsibility for what it becomes. Now, what is that quote about war and truth? “Among the calamities of war may be jointly numbered the diminution of the love of truth, by the falsehoods which interest dictates and credulity encourages.”Yeah. That’s the one.Other sources: OpenTopic, Softpedia, BoingBoing 8 Best WordPress Hosting Solutions on the Marketlast_img read more

5 Editors that Broke the Hollywood Studio System

first_imgImage via Editors GuildHer passion landed her a job as an assistant film editor at Pinewood Studios. The first film she worked on was The Red Shoes for director Michael Powell in 1948. She worked under editor Reggie Mills, who despite not talking much, taught Anne a tremendous amount of discipline when it came to editing a film. Mills would go on to win the Academy Award for Best Film Editing for The Red Shoes. By 1952, Coates would receive her first credit as an editor for The Pickwick Papers.In 1962, Anne V. Coates would work with director David Lean to masterfully edit the epic film Lawrence of Arabia. The film was an astronomical success, and the editing techniques used by Coates are still studied and used today.I suppose the most challenging film I cut was “Lawrence,” because we had such a huge amount of film – I believe it was 31 miles! – which gave me an abundance of choices. – Turner Classic MoviesThe most famous edit in the film is the literal match cut. The film cuts from the image of a match to the sun over the Arabian desert.In this documentary look at the making of the film, Anne V. Coates discusses editing Lawrence of Arabia. She explains the difficulty of editing the film in London, while the sound crew worked in Shepperton Studios.Coates worked seven days a week for four months to complete Lawrence of Arabia on time. Her worked paid off, as Anne won the Academy Award for Best Film Editing. Lawrence of Arabia was nominated for ten Oscars, winning seven.Two years later, Anne was nominated for her second Academy Award for her work on Becket.There are nonlinear small things in my editing sometimes that you might not even have noticed. I started jump-cutting from one place to another quite a lot. When I was editing Becket, the producer, Hal Wallis, said, “You can’t do that. You can’t cut from this shot to that shot without a dissolve as they are 50 miles apart.” I said, “Guess what? I’ve done it and it works perfectly.” And it’s still in the film. – Editors GuildShe received her third Oscar nomination for the 1981 film The Elephant Man. The film was a challenge, as producer Mel Brooks didn’t want the audience to see the Elephant Man’s face until later in the film.By the 1990s, the changes in the film industry meant that Anne would have to learn an entirely new editing process. When Frank Marshall and Kathleen Kennedy offered me Congo, they said, “Well, you have to do it digitally because the special effects system couldn’t do it otherwise.” So they had me taught on Lightworks. . . It’s just another tool, really. Once I got that in my mind, I progressed faster. And then, when I did Out of Sight, Steven Soderbergh had a sound man who could link up with an Avid [Media Composer] but not with a Lightworks. I moved then from Lightworks to Avid, and I’ve stayed on an Avid ever since. – Editors GuildAnne V. Coates is still working in the industry, recently surpassing the length of Margaret Booth’s storied career. She just completed the 2015 blockbuster film Fifty Shades of Grey. To date she has been nominated for five Oscars, winning one. She has also a member of the Order of the British Empire.Thelma SchoonmakerImage via Editors GuildWhile studying at Columbia University, Thelma Schoonmaker answered a New York Times ad for an assistant film editor. She would cut successful European films to fit US broadcast time standards. In that job, she learned the art of negative cutting.Schoonmaker then signed up for a six-week filmmaking course at New York University (NYU). It was there she met a young Martin Scorsese. Scorsese was struggling to finish his short film, What’s a Nice Girl Like You Doing in a Place Like This? A professor asked Schoonmaker to help Scorsese finish the film, and thus started the legendary Hollywood duo. She would edit Scorsese’s first feature film, 1967’s I Call First – renamed Who’s That Knocking at My Door.In 1970, Thelma Schoonmaker edited Woodstock, the documentary on the famous American music festival. The film showcased the performers through a series of superimpositions and freeze frames. The film earned Schoonmaker her first Oscar Nomination for Best Film Editing, a nomination rarely awarded to documentary films. (In 1996, Woodstock was selected for preservation in the United States National Film Registry by the Library of Congress.)Image via Editors GuildEven though Schoonmaker earned an Academy Award nomination for her editing, she was unable to join the Motion Picture Editors Guild. To acquire union membership, Schoonmaker would have to first work as an apprentice and an assistant. She refused to do so, and was thus forced to work on a series of small films and documentaries for the next decade.In 1980, Scorsese called upon Schoonmaker to edit his film Raging Bull. Initially she had to decline, due to the fact that she was not a member of the Editors Guild. Apparently her work and friendships over the years played in her favor, as the union was influenced to offer her membership. Schoonmaker finally joined the Motion Picture Editors Guild and got to work on Raging Bull.In this presentation at EditFest NY 2010, Schoonmaker talks about her experiences editing the improvisation between Joe Pesci and Robert De Niro.10 years after her original Academy Award nomination, Schoonmaker was once again nominated for Best Film Editing, this time taking home the Oscar for Raging Bull. Schoonmaker went on to edit every single Scorsese film since.Not only did Scorsese help Schoonmaker achieve success as a film editor, he also introduced Schoonmaker to her husband, director Michael Powell. Powell was the director of the previously mentioned film, The Red Shoes. Powell was also a great influence on Scorsese, who had studied Powell’s films.After Michael Powell’s death in 1990, Scorsese and Schoonmaker would go on to preserve his memory by restoring his films. In this fantastic video, the three can be seen together in the editing bay.In 1991, Thelma Schoonmaker received her third Oscar nomination for her work on Scorsese’s Goodfellas. Here’s a look at Scorsese and Schoonmaker working on the sound mix. Though Goodfellas was nominated for six Oscars, only Joe Pesci won an award.In 1995, Schoonmaker oversaw the Scorsese documentary A Personal Journey with Martin Scorsese Through American Movies, which was a part of the British Film Institute’s celebration of the first 100 years of film.Schoonmaker garnered her fourth Academy Award nomination for Gangs of New York. Two years later she won the Academy Award for Best Film Editing for The Aviator, and two years after that she won another Academy Award for Best Film Editing for The Departed. Her most recent Oscar nomination was for the film Hugo.Thelma Schoonmaker’s seven Academy Award nominations for Best Film Editing is the second most nominations in Oscar history. She trails Michael Kahn by one nomination. Schoonmaker is currently tied with legendary editor Barbara McLean.Dede AllenImage via IFCDorothea Carothers “Dede” Allen began her career at Columbia Pictures in the 1940s. She first started as a production runner, eventually working her way up to sound librarian and eventually assistant film editor in the special effects department.One of her first projects as an editor was the 1959 film Odds Against Tomorrow, which was directed by Robert Wise. Wise served as Allen’s mentor, often encouraging her to experiment with her editing. Wise was an editor turned director; he edited the legendary masterpiece Citizen Kane.In 1961, Dede Allen edited the hit film The Hustler starring Paul Newman. (The film’s sequel, The Color of Money, was directed by Martin Scorsese and edited by Thelma Schoonmaker.) Dede Allen later collaborated with Paul Newman on Rachel, Rachel, Slap Shot, and Harry & Son.Image via Editors GuildAs the Hollywood studio system crumbled, film editors took on a much more significant role than ever before. Traditionally, editors were studio employees that did not need attribution for their work on any particular film. This all changed in 1967, when Dede Allen became the first film editor to ever receive a solo opening credit on a film. The film just happened to be her most renowned and praised work – Bonnie and Clyde.Dede Allen’s work broke from standard Hollywood editing techniques. She implemented the use of jump cuts, or would open a scene with a close-up. It would be the finale of Bonnie and Clyde that would become her most famed use of quick paced editing. In less than a minute, Allen cuts over 50 times during the ambush scene.In the 1970s, Allen would often collaborate with director Sidney Lumet, editing his films Serpico, Dog Day Afternoon, and The Wiz. Dede Allen earned her first Academy Award nomination for Best Film Editing for Dog Day Afternoon.Warren Beatty, who had talked to Dede Allen about journalist John Reed during the production of Bonnie and Clyde, brought Allen on to edit the 1981 film Reds. It took two and a half years for her to finish the film, longer than any other film she had worked on. The John Reed story earned 12 Academy Award nominations, including a second Oscar nomination for Best Film Editing for Allen.In 1985, Allen edited the John Hughes classic The Breakfast Club. She also edited The Addams Family in 1991. In 1992, Dede Allen accepted the role of head of post-production at Warner Bros. She would return to editing in 2000 with the film Wonder Boys, which garnered her third and final Oscar nomination. Dede Allen died in 2010 at the age of 86.For an in-depth look at her career, take a look at one of her final interviews before her death. As the Hollywood studio system began to crumble, these editors turned a new generation of young filmmakers into household names.In the late 1960s, the United States of America found itself in a transitional stage. The younger generation had attached themselves to art, music, and film. Young filmmakers were unlike any directors before them. They had grown up with with movies and the meticulously studied them. By the 1970s, these young directors were breaking box office records.Names like Scorsese, Spielberg, and Lucas became legendary after this period. Behind those directors were some incredible editors who were also breaking traditional molds. Following the footsteps of the pioneering women in film editing, these women would cut some of the most praised work in American cinema. They were the editors of New Hollywood.Anne V. CoatesImage via Editors GuildAnne Voase Coates had dreamed of working in film. Her uncle, J. Arthur Rank, was a founding member of Pinewood Film Studios. His company, the Rank Organization, also controlled Denham Film Studios and the Odeon Cinemas chain. Rank was a devout Methodist, who produced many religious films.Anne had expressed her desires to work in film, but her uncle had reservations. He attempted to break her spirits by having her cut many of the religious films he was producing. His hope what that she would lose interest in the industry and return to her work as a nurse. However, Anne found the work invigorating. She fixed film prints of religious short films and sent them on various British church tours.There were some wonderful women editors who helped inspire me to go into editing in England. In a way, I’ve never looked at myself as a woman in the business. I’ve just looked at myself as an editor. I mean, I’m sure I’ve been turned down because I’m a woman, but then other times I’ve been used because they wanted a woman editor. – Film Sound Verna Fields — “Mother Cutter”Image via Film WritingsVerna Fields began her film career as a sound editor in the late 1950s and early 1960s, working on films like El Cid. By the mid-1960s, she was teaching film editing at the University of Southern California (USC). She would also edit occasional projects, like The Legend of the Boy and the Eagle and Targets.In 1968, Fields made her directorial debut with the documentary Journey to the Pacific. Verna Fields hired two editors to help her with the documentary, George Lucas and Marcia Griffin. George and Marcia married in 1969.Impressed with her work as a sound editor on his film Targets, director Peter Bogdanovich asked Fields to edit his films What’s Up, Doc? and Paper Moon. At the same time, George Lucas had Verna Fields and Marcia Lucas edit his film American Graffiti.Image via Movie MorlocksBoth Paper Moons and American Graffiti were nominated for the 1974 Academy Awards. Paper Moons received four nominations. American Graffiti earned five nominations, including Best Film Editing for Verna Fields and Marcia Lucas.That same year, Fields began editing the The Sugarland Express, the directorial feature film debut of Steven Spielberg. For her skill and attention to detail, Fields became endearingly known as ‘Mother Cutter.’ Even though she was surrounded by up-and-coming talent, Verna Fields edited her last feature film in 1975. She worked on Spielberg’s next film – Jaws. Verna Fields would absolutely go out at the top of her abilities, as Jaws is an absolute master class in editing. Here is an intense breakdown of one of the films scenes.Verna Fields won the Academy Award for Best Film Editing for Jaws, beating out Dede Allen’s Dog Day Afternoon.Following the success of Jaws, Verna Fields became the Vice-President for Feature Production at Universal Studios. She remained in that position until her death in 1982.Marcia LucasImage via Flickering MythAs previously mentioned, Marcia Griffin married George Lucas in 1969. She worked as an assistant editor on THX 1138 and The Candidate. Marcia Lucas would then collaborate with Verna Fields on American Graffiti, earning her first Oscar nomination.While Martin Scorsese was without Thelma Schoonmaker in the 1970s, Marcia Lucas edited Alice Doesn’t Live Here Anymore and served as Scorsese’s supervising editor for Taxi Driver and New York, New York.Image via CrackedIn 1977, the world was introduced to Star Wars. Directed by George Lucas, the film was edited by Marcia. Not only did Marcia serve as the films editor, she helped rewrite the piece. In an interview with Rolling Stone, George Lucas said,I was rewriting, I was struggling with that plot problem when my wife suggested that I kill off Ben, which she thought was a pretty outrageous idea, and I said, ‘Well, that is an interesting idea, and I had been thinking about it.’ Her first idea was to have Threepio get shot, and I said impossible because I wanted to start and end the film with the robots, I wanted the film to really be about the robots and have the theme be the framework for the rest of the movie. But then the more I thought about Ben getting killed the more I liked the idea.Marcia was also crucial to the film’s climactic Death Star finale. To build the tension the original sequence lacked, Marcia had to re-order the shots from the beginning. She told George:If the audience doesn’t cheer when Han Solo comes in at the last second in the Millennium Falcon to help Luke when he’s being chased by Darth Vader, the picture doesn’t work.Her intuition proved right, as Star Wars was not only a blockbuster hit, but also a hit with the critics. Marcia Lucas won the Academy Award for Best Film Editing for her work on Star Wars.Marcia would go on to edit Star Wars: Episode V – The Empire Strikes Back and Star Wars: Episode VI – Return of the Jedi. Those would be the final films she would ever work on. Following a divorce from George Lucas, Marcia has withdrawn from the public view and kept to herself since.Interested in more pieces on film editors? Want more history articles like this? Let us know in the comments below.last_img read more

‘Proud’ Sablan asks for another season: Tigers will be ready next year

first_imgJapan ex-PM Nakasone who boosted ties with US dies at 101 “I think you will all agree that one year isn’t enough to rebuild a team like this. It would be easier if we had a Kevin Ferrer or an Ed Daquioag, but we don’t. People are expecting us to deliver, but chemistry needs time to jell,” he said.“In a year’s time, those things have to happen with a longer period for us to bond. That’s why I’m saying for next year, give us another year, these guys will be ready.” Kammuri turning to super typhoon less likely but possible — Pagasa “We went on a rebuilding process, and the transition these players had to go through with having different coaches wasn’t easy and we had to start it from there. These players, wherever they end up, I know they will be good people. They won’t get into fights and they won’t start fights. That’s the values of UST that was instilled to us, to just play our game. Even though we’re banged up, we won’t retaliate. That’s the lesson I taught them, to be good people.”Sablan shared that he really tried his best to expose his wards to the best competition he can get in preparation for the season, taking UST to different leagues nationwide just for the team to be tested.FEATURED STORIESSPORTSWATCH: Drones light up sky in final leg of SEA Games torch runSPORTSSEA Games: Philippines picks up 1st win in men’s water poloSPORTSMalditas save PH from shutout“I did my part. I did my best. I took them everywhere just for us to play. Agusan, Davao, Malolos, Baguio, Subic, Pampanga, Cabanatuan, Laguna — we all played there because we knew that we lack in experience and exposure and for us to have that, we have to play,” he said.However, Sablan didn’t get the results he wanted. UST had a habit of losing early leads and faltering in the end as the inexperience showed. Don’t miss out on the latest news and information. Trending Articles PLAY LIST 00:50Trending Articles01:29Robredo to gov’t, after accepting anti drug post: Are you ready for me?00:50Trending Articles01:37Protesters burn down Iran consulate in Najaf01:47Panelo casts doubts on Robredo’s drug war ‘discoveries’01:29Police teams find crossbows, bows in HK university01:35Panelo suggests discounted SEA Games tickets for students02:49Robredo: True leaders perform well despite having ‘uninspiring’ boss02:42PH underwater hockey team aims to make waves in SEA Games Brace for potentially devastating typhoon approaching PH – NDRRMC Stronger peso trims PH debt value to P7.9 trillion CPP denies ‘Ka Diego’ arrest caused ‘mass panic’ among S. Tagalog NPA Photo by Tristan Tamayo/INQUIRER.netIt was a nightmare of a season for University of Santo Tomas but head coach Boy Sablan can sleep well at night knowing he had instilled good values in his players.“Even though we’re 1-13, I’m proud of these boys,” Sablan said on the heels of the Growling Tigers’ 88-85 win over University of the East on Sunday.ADVERTISEMENT For the complete collegiate sports coverage including scores, schedules and stories, visit Inquirer Varsity.center_img LATEST STORIES La Salle shows no quit in comeback win over Ateneo MOST READ QC cops nab robbery gang leader, cohort “We can’t finish games. That’s where maturity and experience comes into play. All of the factors when it comes to our rebuilding process have worked against us,” Sablan lamented.But through it all, Sablan believed the losses will toughen his players in the long run.He is also proud of the progress of his players, who he claimed to have blossomed under his watch.“I’m happy for these players that we got a win. You know why? Because you can see their individual improvement in their time under me,” said Sablan, who raved about the development of some of his players like Marvin Lee and Jeepy Faundo, Eric Caunan and rookies Vaughn Soriano and Martin Romero.Amid talks of his ouster, Sablan pleaded for another chance as he sees a better UST team ahead.ADVERTISEMENT Typhoon Kammuri accelerates, gains strength en route to PH John Lloyd Cruz a dashing guest at Vhong Navarro’s wedding View comments Read Nextlast_img read more

Photo: Nebraska Students Wearing Protective Goggles To Mock Notorious Iowa Eye Poker Adam Woodbury

first_imgNebraska students wear goggles to mock Adam Woodbury.Don’t even think about poking the Nebraska men’s basketball student section in the eye today, Adam Woodbury. The Huskers have come prepared. In an obvious attempt to mock the Iowa big man, a notorious eye gouger, three Nebraska students are sporting protective eye goggles for the Huskers’ game against the Hawkeyes this afternoon. Check it out: Students in the @HuskerRedZone wearing protective goggles today, just in case Adam Woodbury gets too close.— Robin Washut (@RobinWashut) February 22, 2015That’s just fantastic. Nebraska (13-13, 5-9 Big Ten) and Iowa (16-10, 7-6 Big Ten) are set to tip off at 3 p.m. E.T. The Huskers will be wearing special throwback uniforms for Legends Weekend.last_img

Video: 4-Star Tackle D’Antne Demery Picks Georgia Over Alabama

first_imgd'antne demeryTwitter/@SouthernPigskinKirby Smart continues to recruit at an impressive level at Georgia, even when his former employer Alabama is involved. Today, the Dawgs picked up a commitment from four-star in-state offensive tackle D’Antne Demery. BREAKING: 4-star offensive tackle D’Antne Demery commits to #UGA over Alabama. Free story— Radi Nabulsi (@RadiNabulsi) June 15, 2016Scout’s Chad Simmons broadcast the decision, which you can rewatch on Periscope.LIVE on #Periscope — Chad Simmons (@ChadSimmons_) June 15, 2016247Sports ranks Demery as one of the top 15 players in Georgia. He is the 11th player to commit to Georgia in the 2017 recruiting cycle.MORE FROM COLLEGE SPUN:The 10 Most Aggressive Fan Bases In CFBIn Photos: Golfer Paige SpiranacESPN Makes Decision On Dick Vitalelast_img read more

Frontier oilsands mine inks participation agreement with Mikisew Cree

first_imgFORT MCMURRAY, Alta. – The company proposing the $20.6-billion Frontier Oil Sands Mine says it has achieved its target of signing deals with all of the Indigenous groups who live near the northern Alberta megaproject.Doug Brown, director of public affairs for Vancouver-based Teck Resources Ltd., says it has successfully concluded negotiations with the Mikisew Cree First Nation of Fort Chipewyan, a small community near the project site north of Fort McMurray.The news of a 14th deal being signed emerged as joint federal-provincial review hearings for the project began Tuesday in Fort McMurray.It was confirmed by Melody Lepine, director of government and industry relations for the Mikisew Cree, who added her community will continue to take part in the five-week hearing to ensure its voice is heard by government and regulators on environmental and other matters.Brown says the “participation agreement” will support engagement between the company and the First Nation and sets out a framework for co-operation in environmental stewardship, community-based monitoring and economic opportunities.If it’s approved and sanctioned, Frontier would be built in two phases and would have a mine life of 41 years, delivering over $70 billion in taxes and royalties to all levels of government over that period, the company says.“The company is actually being very supportive on a number of our recommendations to the provincial and federal governments in terms of should the project be approved, conditions on the approval, recommendations of what Alberta and Canada should be doing to address concerns,” said Lepine.“An example is the development of the biodiversity stewardship area, which would be a buffer just north of the Frontier project and a protected area just south of Wood Buffalo National Park.”The hearings are being held before a joint review panel of the Alberta Energy Regulator and Canadian Environmental Assessment Agency.last_img read more